Through the Lens SEASON 2 is here!
It was worth the wait. Check out the 2nd part of our interview with Peter Deming getting into one of his most well known films Mullholland Dr.
Peter also clues us into why they choose to cross process the film stock for scenes in From Hell, the three looks of Sami Raimi’s Drag Me To Hell, the shot from Cabin In The Woods he was unsure of that Drew Goddard insisted on “because it’s cool!”, and how he created a sun inside the studio for OZ the Great and Powerful.
And be sure to check out:
Selected Filmography
Other posts you may like:
Dean Cundey, cinematographer Jurrasic Park
Gordon Willis, cinematographer The Godfather, Manhattan
Sal Totino, cinematographer Cinderella Man, The Davinci Code