This episode features an insightful chat with the brilliant photographic eye of Adam Kimmel
Discussing making informed choices, selling Phillip Seymour Hoffman as the diminutive title character in Capote, what it was like to shoot Jesus’ Son with basically no resources and no time, why he favours films that relate to the human condition like Never Let Me Go, and working with Spike Jonze on the beautiful short film I’m Here.
Selected Filmography
Other posts you may like:
Andrij Parekh, cinematographer Blue Valentine, Half Nelson
Ed Lachman, cinematographer The Limey, Erin Brocovich
Andre Turpin, cinematographer Childstar, Incendies