We welcome John Suits and Gabriel Cowan of New Artists Alliance (Bad Milo, Extracted, Static) to the podcast. In this episode, we discuss how John and Gabriel grew their company from mostly micro budgeted films to larger scale projects on a consistent basis. In this episode we cover: On attracting talent: The talent value equation: …
Richard Boddington debut feature was a self financed $150,000 genre film, Dark Reprieve. The film went on to be picked up and distributed nationally by Image Entertainment. What’s great about Richard’s story is how he went about making his first film, his take aways, and then more importantly, how he leveraged that into his next …
Hollywood accounting for many is a mystery at best. Meet Steven Sills. Steven is co-author of Movie Money: Understanding Hollywood’s (Creative) Accounting Practices. He is a certified public accountant, a certified fraud examiner, a certified financial forensic, and a member of the California bar. Think CSI in the world of of Hollywood accounting. Steven was …
Maren Olson runs Traction Media. Based in Los Angeles, they do everything from developing, producing, packaging and selling independent film. Their primary business is selling films in the US marketplace. What do you look at when evaluating a project? How does budget impact your role as sales agent? Maren’s Packaging & presentation tips for the …
Amotz Zakai is a manager at Echo Lake Management. He gives some pretty cut and dry information on what he would do. If you are starting out in film, this podcast gives some practical advice on how to get started in film. Managers vs. Agents On the role of private equity: My #1 Rule: Links …
The guys at Before the Door (a partnership between Neal Dodson, Corey Moosa & Zachary Quinto) have been tearing up the independent film scene over the last couple of years. Their first film Margin Call, needs no introduction. It has become the poster child for the new independent VOD, Super VOD model; you name it, …
We had the opportunity a couple months back to sit down with Producer Nicholas Tabarrok (“The Art of the Steal”, “Defendor”). On location in Nicholas’s LA office, he gives a dissertation on things he would have done differently had he started his career today, how he goes about packaging and financing films, and gets into …